Photographer Tamara Staples debuted a new four-channel video work during the Arts Gowanus on Atlantic Ave opening over the weekend. A stack of four televisions display her intimate “moving portraits,” examining the power of lighting and questioning our sense of memory.
“Time and memory are at the heart of this work,” according to the artist. “The video captures the ever-changing content of our faces and demands the viewer to mistrust any static images ever experienced. In a sense, it proves the uncertainty of all our judgements.”
“I’ve always been fascinated by how lighting can really create a personality and change how quickly we see…or just make generalizations about [people], from making them look more feminine or more masculine, younger or older…the lighting is everything,” Staples said on Saturday.
The project—three years in the making—began with Staples designing a special crank-operated light which a friend in the film industry built for her. Staples filmed her models for about two minutes each, hand-cranking the light to make it circle around each subjects’ head. As the light revolves, it increases the brightness or casts shadows on each models’ face, seeming to instantly transform their expressions, dispositions, and features. The mesmerizing effects may make some viewers wonder at times if they are still looking at the same person! See an excerpt at the artist's website.
“As I started to crank, it’s as if everything disappears the moment the light moves away from [a face],” Staples said. Seeing these rapid transitions led her to think about identity and “how we are often wrong when we think we can identify someone.” She began to question our ability to remember someone’s appearance based on “little snippets” or quick glimpses. Our brains are “geared to short-term thinking and we’re not really able to recognize people the way we think we are,” she argues.
Staples shot more than 20 models of diverse ages and backgrounds. She experimented with various expressions, tried adding movement, and tried shooting some in black and white. Approximately a dozen models are featured in the final work which runs on a 22-minute loop on four unsynchronized television screens.
Staples worked with an editor over the summer to cut the hours of footage, capturing the “best frames, the best lighting, or the expression for that moment.” She also manipulated the speed of the videos during the editing stage. “Some are slowed down…because some people are maybe moving a little quickly and it’s disconcerting. I wanted it all to be much slower so that you’re really getting the nooks and crannies of their faces.”
Staples studied photography at the University of Florida and lived in Chicago before moving to Brooklyn in 1999. Based in South Slope, she has participated in five Gowanus Open Studios. “I love having that stream of people…. As an artist it’s great to have that rotating crop of enthusiastic art lovers because we can talk about the work,” she said. “As an artist you kind of know what you’re doing, but you’re not quite sure, you have to talk it out.” She thinks this year’s alternate event—the socially-distanced art walk—is “brilliant,” noting “people are really coming down, they’re dying to see artwork. We’re all missing that, so I am thrilled.”
Tamara Staples' video installation on view at Out Of The Closet, 475 Atlantic Avenue, Brooklyn. Photo courtesy of the artist.
Tamara Staples’ video portraits are on view at Out Of The Closet, 475 Atlantic Avenue, until November 1, 2020 as part of the Arts Gowanus on Atlantic Ave Art Walk. Learn more about the event at artsgowanus.org. Go to tamarastaplesfineartphotography.com for more about the artist.
[Note: Due to the sun, the best time to see Staples’ installation is after 4pm.]
Perhaps Tamara Staples has gifted us with an opportunity to redefine reality. Everything we see IS in the past. That is scientifically true. Her art demands that we ask ourselves if there is ever any justification for violence, which always comes from attachment to ourselves, our lives, all of which are past. And if it is in the past, is it even ours? What if everyone spent just one day living with that consciousness? What would be different? Her art asks us to consider this, gives us a flavor of that experience.
Posted by: Mary E Bluntzer | 10/23/2020 at 02:18 PM